The camera shakes, but remains steady enough for you to see everything and feel like you're there with Bourne as he tries to elude his pursuers, and the performances are so good that these guys seem as though they are the characters they're portraying, instead of just being actors performing well-written roles. Bourne says to Simon Ross (Considine) 'This isn't some newspaper story, this is real' and in the audience you almost believe him. It is also probably the best film you'll see in the cinema this year. As well as portraying Bourne's quest to find out how he became Jason Bourne, Ultimatum is also an examination of the human costs of the measures taken to protect us in the interests of stability and security. This shot effectively captures the mood of the film. An American flag stands proudly on the centre of his desk in the foreground of the shot, but as he speaks, it slips out of focus as his plan veers into morally dubious territory, as if it doesn't want to be associated with the course of action the government man decides is necessary in the interests of national security. Meanwhile, a CIA chief in NYC outlines the agency's response to what's just happened on screen. Jason Bourne sits in a dusty room in with blood on his hands, trying to make sense of what he's just done.

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